CAPAC : ΣΗΚΩ ΜΑΝΑ [Not On Label]
€10.00
Catalogue : Not On Label
Format : Cassette, Limited Edition, Recycled grey cassette, Recycled sleeve
Condition : Used / Mint / Very Good Plus
Country : UK
Released : 2019
Genre : Electronic, Experimental, Ambient, Drone
The release you're referring to, Σήκω Μάνα by Capac, is an experimental music project that delves into the realms of ambient and new music. The title, "Σήκω Μάνα," translates to "Get Up, Mother" in English, and is inspired by a traditional folk song from northern Greece. This song falls into the category of "wedding myriologue," a type of wedding mourning song. The lyrics poignantly express a bride's melancholic farewell to her mother as she is about to be separated from her.
The track "Siko Mana (Parts I-IV)" features a polyphonic vocal arrangement performed by Alkistis Polychroni, adding a rich, layered texture to the composition. The second track, "Rise Canon," draws inspiration from Johann Sebastian Bach's Canon 1 à 2 from Das Musikalische Opfer (BWV 1079), infusing classical elements into the experimental soundscape.
Format : Cassette, Limited Edition, Recycled grey cassette, Recycled sleeve
Condition : Used / Mint / Very Good Plus
Country : UK
Released : 2019
Genre : Electronic, Experimental, Ambient, Drone
The release you're referring to, Σήκω Μάνα by Capac, is an experimental music project that delves into the realms of ambient and new music. The title, "Σήκω Μάνα," translates to "Get Up, Mother" in English, and is inspired by a traditional folk song from northern Greece. This song falls into the category of "wedding myriologue," a type of wedding mourning song. The lyrics poignantly express a bride's melancholic farewell to her mother as she is about to be separated from her.
The track "Siko Mana (Parts I-IV)" features a polyphonic vocal arrangement performed by Alkistis Polychroni, adding a rich, layered texture to the composition. The second track, "Rise Canon," draws inspiration from Johann Sebastian Bach's Canon 1 à 2 from Das Musikalische Opfer (BWV 1079), infusing classical elements into the experimental soundscape.