PATRICK COWLEY : SOME FUNKETTES [Dark Entries]
€23.50
Catalogue : Dark Entries / DE283
Format : LP, Vinyl
Condition : New
Country : US
Released : 2020
Genre : Disco, Funk, Soul
Dark Entries is humbled to continue digging through the archives of legendary producer Patrick Cowley. While best known for his production on chart-topping cybernetic disco anthems such as Sylvester’s 'You Make Me Feel (Mighty Real)' or his own 'Menergy', Cowley, who passed away from AIDS-related illness in 1982, left us with a substantial body of work. Since 2009, Dark Entries has been working with Cowley’s friends and family to shed light on the lesser known facets of this singular artist’s output. This has resulted in a string of celebrated archival albums, including Catholic (featuring Jorge Socarras), School Daze, Muscle Up, Afternooners, and the recent Mechanical Fantasy Box. Some Funkettes, the latest addition to this series, is a collection of previously unreleased cover songs recorded from 1975-1977. These raw, unembellished tributes both showcase Cowley’s early musical interests and chart the development of his production techniques
Format : LP, Vinyl
Condition : New
Country : US
Released : 2020
Genre : Disco, Funk, Soul
Dark Entries is humbled to continue digging through the archives of legendary producer Patrick Cowley. While best known for his production on chart-topping cybernetic disco anthems such as Sylvester’s 'You Make Me Feel (Mighty Real)' or his own 'Menergy', Cowley, who passed away from AIDS-related illness in 1982, left us with a substantial body of work. Since 2009, Dark Entries has been working with Cowley’s friends and family to shed light on the lesser known facets of this singular artist’s output. This has resulted in a string of celebrated archival albums, including Catholic (featuring Jorge Socarras), School Daze, Muscle Up, Afternooners, and the recent Mechanical Fantasy Box. Some Funkettes, the latest addition to this series, is a collection of previously unreleased cover songs recorded from 1975-1977. These raw, unembellished tributes both showcase Cowley’s early musical interests and chart the development of his production techniques