GRAND CIEL : MUSIC FOR AN EXHIBITION - I WANT TO BELIEVE [Not On Label]
€3.00
Catalogue : Not On Label / 002
Format : Cassette, Album, Stereo File, MP3, WAV, Stereo
Condition : Used / Mint / Very Good Plus
Country : France
Released : 2018
Genre : Electronic, Experimental, Ambient, Drone, Minimal
Solo project from french cinematographer and artist Jean-Cédric Lazare."I Want To Believe" is a 3 hands exhibition : Pierre-Charles Jacquemin (installations), Quentin Aubé (photography and drawings), and Grand Ciel (music).
The idea is to retranscribe a sudden alien invasion and barely believable.
''I first composed the "I Want To Believe" track and then felt the need to create something very instinctive, with some urgency. So I asked Pierre-Charles to come join me for a day at the studio. In fact, I already had my little idea in mind: record all our improvisations in one go. A posteriori, I worked the texture and the grain of the sound, in the manner of sci-fi movies of the 50/60s with transistors and tapes saturations. On the other hand, I gave it a modern feel by working with a large stereophonic space. In conclusion, I settle this sound work in the manner of the visual universe of Pierre-Charles Jacquemin and Quentin Aubé, on the border between retro-futurism and science-fiction.''
Format : Cassette, Album, Stereo File, MP3, WAV, Stereo
Condition : Used / Mint / Very Good Plus
Country : France
Released : 2018
Genre : Electronic, Experimental, Ambient, Drone, Minimal
Solo project from french cinematographer and artist Jean-Cédric Lazare."I Want To Believe" is a 3 hands exhibition : Pierre-Charles Jacquemin (installations), Quentin Aubé (photography and drawings), and Grand Ciel (music).
The idea is to retranscribe a sudden alien invasion and barely believable.
''I first composed the "I Want To Believe" track and then felt the need to create something very instinctive, with some urgency. So I asked Pierre-Charles to come join me for a day at the studio. In fact, I already had my little idea in mind: record all our improvisations in one go. A posteriori, I worked the texture and the grain of the sound, in the manner of sci-fi movies of the 50/60s with transistors and tapes saturations. On the other hand, I gave it a modern feel by working with a large stereophonic space. In conclusion, I settle this sound work in the manner of the visual universe of Pierre-Charles Jacquemin and Quentin Aubé, on the border between retro-futurism and science-fiction.''